![]() By the time the show had been broadcast by ABC in the USA, some 200 million people in more than 100 countries had watched Di talking about bulimia, postpartum depression, self-multilation, the breakdown of her marriage to Prince Charles, an affair and not least the British monarchy and its future. One such moment was the BBC's interview with Di, princess of Wales. A moment that brings drama and emotion into the living rooms of millions in a way that no other technology has ever managed. It's been half a century since television started to become a central part of the human experience and for much of that time it seemed more a curse than a blessing.īut every so often, something blooms in the wasteland. I have my sons." - Lady Di's quotation in an interview with French newspaper Le Monde on media intrusion. August 1997: "I think, that in my place, any sane person would have left long ago. The defendant has deliberately ridden his motorcycle so close to my motor car that at times the two have collided." - Diana in affidavit while obtaining injunction against a photographer she accused of stalking her. I am a prisoner in my own home I believe there's a grave risk that the cumulative effect of this continued and unrestrained her harassment will permanently damage my health. July 1996: "The fact that the princess of Wales was persistently followed by seven press motorbikes and two press cars this morning is the reason for the distressing photographs which are now being published." - Statement from Kensington Palace during Dianas divorce proceedings.Īugust 1996: "He seems to know my every move. I was constantly exhausted because the press was so cruel." - Lady Di during Panorama interview on her difficulties with the press during her marriage problems. November 1995: "The pressure was intolerable. But I was not aware of how overwhelming that attention would become, nor the extent to which it would affect both my public duties and my personal life in a manner that's been hard to bear." - Diana announcing that she was to pull out of public duties. Tropez picture known as "The kiss" commanded nearly £ 500.000 from 3 papers in Britain.ĭecember 1993: "Whe n I started my public life 12 years ago I understood that the media might be interested in what I did. The world -wide market for pictures of the couple was insatiable throughout August - the St. Pictures of the crash scene were being offered around the world for about $ 1 million - and urged the world press to join his tabloid in boycotting the pictures. ![]() Even as she lay seriously injured in the wreckage of her Mercedes, Diana, Princess of Wales, could not escape the attentions of the paparazzi. The princess was powerless to combat the French paparazzi, renowned as an even tougher breed. She accused them staking out Kensington Palace and her health clubs of "raping" and "stalking" her. In the past 18 months the princess of Wales had grabbed the ignition keys of a paparazzo who chased across London, taken out an injunction against the photographer Martin Stenning after claiming she was being harassed, and enlisted the help of a passer-by to confiscate a film from snapper Brandon Beirne outside a gym. He claimed that Diana used the photographer enormously to her advantage, and knew exactly how to do it. James Whitaker, the Mirrors veteran royal reporter told the BBC that staff working for British newspapers would "back off" when intrusion was regarded as too great. Tabloid newsdesks regularly received tip-offs from Dianas confidants - believed to have been authorised by the princess - as she attempted to spin her own media presentation. While the princess complained of intolerable intrusion, she was also adept at manipulating photographers. It is not a happy state of affairs.īut the relationship with the paparazzi was a two-way-process. The paparazzi who work on their own and are not accountable to organizations are less inclined to do so. The photographer on whom the character was modelled, Tazio Secchairoli, now aged 72 said: " Of course the paparazzi are aggravating - but if they are allowed to take photos, they go away." The word paparazzo was coined by Federico Fellini, the surname he gave to a prying society cameraman in his 1959 film "La Dolce Vita". The paparazzi - a fusion of the Italian words papatacci, meaning gnat and razzi meaning the popping of flashbulbs - work with powerful motorcycles highspeed dinghies, and hi-tech satellite communications.
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